SHOEGAZER
a feature film pitch deck
OVERVIEW
Logline
In 1990s Britain, a group of misfit students and their teachers navigate the chaos of their crumbling school’s final year, grappling with friendship, rebellion, and the uncertainties of growing up.
Target Audience
Fans of coming-of-age dramas, British social realism, and 1990s indie culture, particularly millennials and young adults who appreciate dark humour and nostalgic storytelling.
Themes
Friendship and loyalty, isolation and identity, authority and rebellion, and the bittersweet inevitability of change.
Genre
British coming-of-age comedy-drama with elements of social realism.
THEMES
Friendship & Loyalty
At its heart, Shoegazer is a story about the fragility and complexity of teenage friendships. The film explores the tensions between loyalty and personal growth, showing how adolescence often forces friends to grow apart as they search for their own identities.
Isolation & Identity
The theme of feeling unseen resonates throughout the film, particularly with Ballard, who struggles with being overlooked by both peers and teachers. Shoegazer delves into the loneliness of adolescence, as Ballard and Hawkins try to find their place in a world that seems indifferent to their existence.
Authority & Rebellion
The film highlights the adversarial dynamic between students and teachers, with the school's dysfunctional staff embodying outdated or oppressive authority figures. Pupils struggle against conformity and rebel in small, often pointless ways against a system that seems intent on failing them. This theme mirrors the decay of the school itself, symbolizing larger societal failures.
Change & Uncertainty
As the school faces closure, the characters grapple with the inevitable end of an era. For the students, leaving school means entering an uncertain future, one filled with both opportunity and fear. Shoegazer captures the bittersweet nature of endings, as friendships are tested, routines are dismantled, and the characters must confront their anxieties about what comes next in their lives.
TREATMENT
A failing secondary school in working-class England, early 1990s.
The film opens in the chaotic assembly hall of Woodhouse Comprehensive, where Deputy Head Mr. Baron, a bitter ex-prison warden, announces that the school will be closing at the end of the academic year. With its crumbling walls, underfunded resources, and an infamous reputation, Woodhouse has been on its last legs for years. Mr. Baron, who openly despises the students, delivers the news with cold detachment. The pupils respond with apathy, gallows humour, or outright rebellion, setting the tone for a turbulent and bittersweet final year.
At the heart of the story is Ballard, a reserved, introspective teenager who feels like a ghost in his own life. Woodhouse is a microcosm of cliques—tough kids, bad girls, cool kids, and nerds—all of whom seem more defined than Ballard. His only real connection is with his best friend, Urban, but that bond is slipping away as Urban drifts toward the cool kids and pursues Tara, a rebellious “bad girl” whom Ballard secretly fancies. The growing distance between them leaves Ballard feeling more isolated, retreating into his art to make sense of his chaotic world.
Mrs. Fitch, Ballard’s eccentric art teacher, recognizes his talent and encourages him to push boundaries. However, to his frustration, she consistently fails him on assignments for not following the strict criteria set by the school. In a pivotal moment, Ballard confronts Mrs. Fitch, demanding to know why she has spent the year praising him only to mark him down. Her response is both infuriating and thought-provoking: she tells him that creativity isn’t about ticking boxes—it’s about fighting for individuality in a system designed to crush it. This exchange becomes a turning point for Ballard, forcing him to see his work, and himself, in a new light.
The school itself is as dysfunctional as its staff and pupils. Dr. Boz, the science teacher, is so incomprehensible that students often climb out of classroom windows to escape. Mr. Woodruff, the history teacher, spends more time showing off his flashy black Capri to impress female students. During an awkward sex education lesson, Woodruff finds a vibrator in his desk and assumes it’s a prank, only to later discover it belongs to a colleague. Meanwhile, Ms. Waines, the empathetic English teacher, becomes an unlikely confidant to troubled student Paul Fake, who becomes intensely attached to her following the death of another teacher, Mr. Glasgow, from a brain tumour.
The school’s closure brings chaos and absurdity. Cows from a nearby field often wander onto the grounds, peering through classroom windows. There's a pitbull dog constantly roaming the corridors. Window frames fall out of fourth floor classrooms. The swimming pool is perpetually littered with broken glass, forcing students to swim only at one end. Tensions rise when P.E. lessons are moved to a rival school, sparking fights and a heavily hyped inter-school brawl that never materializes.
As the year progresses, cracks deepen in Ballard’s world. Urban fully integrates into the cool crowd, kissing Tara at a party and leaving Ballard to stew in betrayal. In a rare moment of defiance, Ballard submits a portfolio of deeply personal art as his final project, even though he knows it won’t meet the school’s rigid standards.
The film climaxes with a teachers vs. pupils football match and the students sitting their GCSE exams, marking the end of their time at Woodhouse. After the final bell, Ballard walks home alone. On the way, one of the girls from school nervously asks him out. Still scarred by years of mockery and rejection, Ballard assumes it’s a joke and brushes her off.
The final scene shows Ballard disappearing down a quiet street, with his sketchbook tucked under his arm. The camera lingers on his figure as "Taste" by Ride begins to play. The energy of the song encapsulates the bittersweet reality of leaving behind a broken system, uncertain of what lies ahead but quietly determined to move forward.
Shoegazer is a raw, darkly funny, and emotionally resonant portrait of adolescence, individuality, and rebellion. Set against the backdrop of Woodhouse Comprehensive’s collapse, the film captures the absurdity, heartbreak, and fleeting connections of youth with humour and sincerity, brought to life through a rich tapestry of characters and a pulsing 1990s indie soundtrack.
MAIN CHARACTERS
Ballard
An introverted and socially awkward teenager who feels invisible at school. Ballard is a talented but unconventional artist, constantly at odds with his teachers over his refusal to follow rules. His sardonic humour masks his insecurities, and he clings to his best friend, Urban, fearing abandonment. Deep down, he struggles with loneliness, unspoken crushes, and a fear of being vulnerable.
Urban
Ballard’s best friend and the charismatic center of their small, outsider group. Urban is confident and likable, with a sharp wit and a growing desire to be accepted by the "cool kids." He’s torn between his loyalty to Ballard and his own ambition to break free from their misfit label, creating tension in their friendship as the school year progresses.
Hawkins
A geeky, awkward boy with bad skin, braces, and greasy hair who is frequently the target of bullies. Despite his struggles, Hawkins has a dry sense of humor and a surprisingly resilient spirit. Hawkins symbolizes the quiet determination of those who refuse to let their outsider status define them. Seeks guidance from his poster of Arnold Schwarzenegger in 'Commando'.
CASTING SUGGESTIONS
Rob Brydon
Mr. Bates, CDT. Vindictive towards a particular pupil. Lives with his Mum.
Peter Serafinowicz
Mr. Woodruff, Head of Year 5. Drives a black Capri with bucket seats.
Jessica Hynes
Mrs. Fitch, Art. Kooky, Mumsie, never wears matching colours.
Steve Coogan
Mr. Cowlie, Head of Art. Likes paintings of vases of flowers, not aliens.
Indira Varma
Ms. Edenbrow, Humanities. Knows Mr. Woodruff fancies her.
Paddy Considine
Mr. Gunn, P.E. Strives to give the kids hope; fancied by teenage girls.
Nick Frost
Mr. Broomcote, Computer Studies
Often found down the pub at lunch times with some of the rougher kids.
Denise Gough
Ms. Drake, French & German
Shares cigarette breaks with some of the year fives.
Christian Bale
Mr. Baron, Deputy Head Teacher
Ex-Prison warden. Despises the pupils.
TARGET AUDIENCE
Young Adults & Millennials
The film appeals to audiences aged 18-35, particularly those who grew up in or are nostalgic for the 1990s. The indie soundtrack and cultural references resonate with millennials who experienced similar school environments or cultural moments.
Fans of Character-Driven Stories
Viewers who enjoy thoughtful, ensemble-driven narratives like Ghost World, This Is England, and Meantime will connect with Shoegazer's raw portrayal of teenage life and its mix of humour, heart, and emotional depth.
Fans of British Social Realism & Comedy
Fans of filmmakers like Shane Meadows, Mike Leigh, and Alan Clarke, who appreciate grounded, gritty, and authentic depictions of working-class Britain, will find Shoegazer relatable and engaging, especially with its dark humor and irreverent tone.
Music & Nostalgia Enthusiasts
Audiences drawn to films with strong soundtracks and cultural nostalgia, particularly fans of 1990s indie and shoegaze bands like Ride, Primal Scream, and Happy Mondays, will enjoy the immersive atmosphere created by Shoegazer. The music and fashion also make it appealing to those interested in the youth culture of the era.
COMPARABLES
Dazed and Confused
This film captures the end-of-an-era feeling with a character-driven story, an ensemble cast, and a killer soundtrack. Both films explore cliques, adolescent rebellion, and bittersweet transitions, but Shoegazer adds a more distinct British cultural context and humour.
Meantime
Mike Leigh’s film reflects the raw, unpolished reality of British life, portraying characters with depth and humanity despite their flaws. Shoegazer similarly seeks to bring authenticity to its depiction of troubled teens and the adults who fail them.
Quadrophenia
Quadrophenia combines British cultural specificity with a killer soundtrack and themes of alienation, similar to Shoegazer’s 1990s setting and focus on indie music and identity.
Gregory's Girl
A quirky lighter comedy, Gregory’s Girl shares Shoegazer’s exploration of teenage awkwardness, crushes and romantic missteps, offering a slice of life in a working-class school setting.
The Holdovers
Mixes humour with pathos, showing the humanity of flawed characters while portraying their struggles with sincerity and empathy.
Ghost World
Focusing on misfit teens navigating their alienation, friendships, and the awkward transition into adulthood. Both films blend dark humour with bittersweet moments and feature eccentric adult figures who provide unexpected connections.
THE WRITER
Andrew Wright is a screenwriter and author who has worked in various roles in the film and television industry, alongside Lord Richard Attenborough (Jurassic Park), Dominic West (The Wire), and Kathy Burke (Nil By Mouth). His first student film was co-funded by Terry Gilliam (12 Monkeys).
MUSIC PLAYLIST
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CONTACT

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andwrighting | Instagram | Linktree

Novelist/scriptwriter who enjoys cinema, reading and a good cuppa.

Bluesky Social

Andrew Wright (@andwrighting.bsky.social)

Writer of novels, film/tv scripts, and short bio's. Read my stuff at https://awright.substack.com http://linktr.ee/andwrighting